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: ‘t a Girl, ee Pfizer. . a es 
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fanola,’” M. A. C cae Se ee cee alias B25 ° 


n,. V hese hg la Valliere, é. 8, i 
ée,  W.” oie aig oot oo Oe et eies 616010 0 N.eals eee 320 


HS Khisht...... en ee f@e@naoaeeoeneave 3875 : 

ae : Ge orge Cc. Or OEE ve ap etins 400° 
he Shepherds,”’ Gee Se Wallen. a c.0.si-6 ian «ee 
» Advice of the Cardinal, a G. 8. Waller... 440 | 
Ba » J. Chalmers.......... - 500, 


foore, George Pratt....... BHO 
ite ‘abies uses Fried 


RGM pete akg gi elaiwie aw ere gen 3) 590 | 
600» 

HEL SS eum ke - 800— 

680 | 

: 700— 

bie ‘ 

eet eee rvraeeeee eee te Oe 8 HF OHO e@e-ceer eae eee eo te 700 — 


ine , M B, Fitzsimmons. Lenten aie" 900 © 
ven, paeehs D. BL Johnson... ...0.0.+00s++ 21,000 | 


7 PS, Aad a Mthiet: a's oes 6 vee me 1,000 - 
ung Woman Gathering Potatoes,” J. A. Lies 


@ Cara Players,’ ngs. Wail ghee: “+ 
e orning i OPC sins ois ugreds 
x ae Ae “Toulis XV Soubrette,’’ a S. Waller... .—...1,3800 


ed 
IY er of the . ‘oO wis 
siman.. eS Ue ae eo ebeAN 6) Yas 6 bbene ere, 00D, 


2 pa ESS ges ee Sale 


ulow, 5 “River Arques,”” Max Bleiman meso e+ +1,800_ 


At the sale of: paintings by. order of Avaune) 
-Furber, and belonging to the Misses. de. 
‘Peyster, which James P. Silo conducted 
at the Nal last ee the, 


. $4, 550, to a erbe ork! re head voile dows a 
to "Rembrandt ‘sold. for $30. 
he one 


ORDER OF ARTHUR ia URBER, Esq 


2 ie 287 Brosdway 


ALSO, >, TH PROPERTY OF 


THE MISSES. de. PEYSTER 


“12 Bast 86th Street, City 
on eee ke THE © | 
on ifth Avenue Art Galleries 
"366 Fifth Avenue 


ae From Monday, March oth, Until Day of Sale 


TO BE SOLD BY AUCTION 


# 4 _In the Grand Ball-Room of the 
fe WALDORF-ASTORIA 
Thursday and Friday, March rath and 13tb 


At 8.30 o’clock 


JAMES P. SILO, - - AUCTIONEER 


New York: 1903 


is 


is La 
‘The Metropolitan Printing Company x 


224-232 West 26th Street 
New York — . 


CONDITIONS OF SALE. 


1. The highest Bidder to be the Buyer, and if any dispute 
arises between two or more Bidders, the Lot so in dispute shall be 
immediately put up again and re-sold. 


2. The Purchasers to give their names and addresses, and to 
pay down a cash deposit of at least 25 per cent., or the whole of 
the purchase-money, #/ required, in default of which the Lot or Lots 
so purchased to be immediaiely put up again and re-sold. 


3. The Lots to be taken away at the Buyer’s Expense and risk, 
within 24 hours after the conclusion of the Sale, and the remainder 
of the purchase-money to be absolutely paid, or otherwise settled 
for to the satisfaction of the Auctioneer, on or befure delivery ; in 
default of which the undersigned will not hold himself responsible 
if the Lots be lost, stolen, damaged or destroyed, but they will be 
left at the sole risk of the Purchaser. 


4. Nochecks received unless certified. 


5. Thesale of any Article is not to be set aside on account of 
any error in the description or imperfection, and no warranty what- 
ever is made. All articles are sold just as they are, without 
recourse. 


6. To prevent inaccuracy in delivery, and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be removed 
during the Sale. 


7. Noclaims allowed after the removal of goods. 
8. Our record of Sales in all cases final. 


9. Upon failure to comply with the above conditions, the 
money deposited in part payment shall be forfeited; all Lots un- 
cleared within the time aforesaid shall be re-sold ee public-or 
private Sale, without further notice, and the deficiency (if any) 
attending such re-sale shall be made good by the defaulter at this 
Sale, together with all charges attending the same. This condition 
is without prejudice to the right of the Auctioneer to enforce the 
contract made at this Sale, without such re-sale, if he thinks fit. 


JAMES P. SILO, Auctioneer. 


LIST OF ARTISTS REPRESENTED 


. NAMES OF ARTISTS 
ASTI, A., 
BALDUNG, H., 
BALLAVOINE, J. F., 
BARNES, E., 
BEAUDUIN, J., 
BEECHEY, Sm W., 
BISSON, E., 
BONHEUR, ROSA, 
BRETON, JULES, 
BRISSET, E., 
BRONZINO, 
BROUWER, A., 
BRUNIER, L., 
BUECKELAER, J., 
OAUS, A., 
CARACCI, A., 
CARMIENCEE, H., 
CAZIN, J. C., 
CHARLEMONT, E., 
CHAPELLE, 
CHAPMAN, J., 
COMEREE, L., 
COMTE-CALIKX, F., 
CONSTABLE, J., 
COTES, F., 
CRESPI, L., 
CROME, J., 
DAVID, J. L., 

Dz BAEN, J., 

Dr BRAY, J., 
Dz CHAMPAIGNE, PH., 
DELESSARD, A., 


NO. IN CATALOGUE 
65, 138 
eae ANS 
8, 63, 124, 131 
6 

3, 51, 91 

33, 42 

59, 135 

69, 141 

62 

84 

oe, 33 
74, 75 

50 

113 

107 

. 105 
80, 81 

133 

137 

Py ABL 
78, 79 

68, 132 

MR ee ia: 
116, 117, 145 
110 

21 

47 


ARTISTS REPRESENTED-— Continued 


NAMES OF ARTISTS NO. IN CATALOGUE 
Det RINCON, A., : ‘ : . : : : 2 Ete 
DETTE. O.5o:; ; : ; : : . ; eg 3 
Dr TROY, J. F., : : ; : : 30, 103 
D’ENTRAYGUES, CH., ; ; ; ; 9, 89 
DOMENICHINO, . ; : ; . : et one 
DURAN, CAROLUS, . ; : . . A BD 


DUVIEUX, 20 OE OA 
DIAZ, Nip a 
DIRANIA, '8.,000 0 0 OSES ee 2 
DIX, CH. To a ON eS 


DULUARD, Foy oe Se es : 
DUPRE, JULIEN, oe ol SENG t 
EDE) Fo SS : 
FPABRITIUS, B., 2b a § 
FALERO, L., ee 
FOULD, A., PS ea ‘ 
FRANCHESINI, Be, 02) 335 
GAINSBOROUGH, D., SAA ESS ee : 


GELDORP, .G., 9...) 30 Se 
HALS, Bij 0 St) 
HARDY, H., Cg Sr 
HARPIGNIES, H.)) 2 er 
HEDA, W. OL. 3. 
HOPPNER, J., 9.00 fe So 
HONDEKOETER, M., OOS eh Ei a rr 
HORNE, D., he OS ON 
JACQUE, CH), 930 ho 2° a 
JARDIN, K. pup.) 


JARVIES, J. W., Shin boy SL) 
JETTEL, E., PE 
KAVEL, M., APNE CAS SSG h Nats | ay 


KNELLER, Sm G.,) - oso 20. 
La BOULAYE, C., 2 OER Sr 


ARTISTS REPRESEN TED—Continued 


NAMES OF ARTISTS: 
LASTMAN, P, 
LEDOUX, PH., 
MALEMPRE, L., 
_MATHON, E. L., 
MEISSONIER, J L. E., 


MELNIK, N., 
MENGS, B., 


MERLOT, E. J., 


METSO, G., 


MIERBVELT, M. J., 
MIGNARD, P., 


MILLET, F., 


° 


MONCHABLON, F. J, 


MORLAND, G., 
ORANGE, M. H., 


OUTIN, P., 


PHILIPPOTEADX, P., 


POTTER, P., 


RAEBURN, Sm H., 
REMBRANDT, V. B., 


RICHET, L., 
RIGAUD, H., 
RONDEL, H., 


ROSA, SALVATOR, 
RUBENS, P. P., 
SCHREYER, A., 


SCHULZ, A., 


SUSTERMANS, J., 


TACCONI, F., 
TENIERS, D., 


TEN OEVER, H., 
THAULOW, F., 


TIARINI, A., 


NO, IN CATALOGUE 


147 


45 
164 
7, 52, 87 
112, 121 
61 

77 

152 

142 

11, 15, 93, 97 
22 

25 

28 

19 

136 

37 


ARTISTS REPRESENTED -— Continued 


NAMES OF ARTISTS NO. IN CATALOGUE 
TITIAN, I MURMEMEASE CS 
TORRES, A., So OSE AIRS ong 
TOURNIERES, Boj...) 0 SE 
VAN BROZIK, V., oo a OL 
VAN DER HELST, B., MIP ee 
VAN DER NEER, A... 6000 eo 
VAN LOO, J. B., me 41, 109 
VAN OSTADE, A., Sl ayo oS Ue 
VERNET, J., oe SS ee ge 
VESTIBR, Aly ok 39, 150 
WALEER, J. H., 2 OSS a 
WEST, W.., MMM ORNA cc 
WOUVERMANS, PH., MEER Ne 
ZIBR, Bey he es 16, 90 


FIRST NIGHT’S SALE 


GRAND BALL-ROOM 


OF THE 


WALDORF-ASTORIA > 


THURSDAY, MARCH 12th 


AT 8.30 P. M. 


JAMES P. SILO, Auctioneer 


CATALOGUE 


ee PAUL PHILIPPOTEAUX 


Paris 


Pupil of Leon Cognet and of Felix Philippo- 
teaux 


The immortal Painter of the Battle of Gettys- 
burg | 


teak CATTLE eae 


N BEAUDUIN 


7 ERP ATIS: 
Rane us ©. | i ee 


ae He Py | 3 ar Ue 
_ Honorable mention Paris Salon 


EARLY MORNING HOURS ——™ 
17 


‘LEO MALEMPRE 


A FARMERS’ GIRL) 


bg Pupil of Daubigny | 


Vo suenp a 


-E. BARNES» 


London 


THE LOVERS’ MESSENGER 


Y RICHET 


Mee arise 4.1 1s): 


Pupil of Diaz 


Medal Paris Salon, 1888 


be LANDSCAPE ae 


ab3, 


ie 
© 


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vol 


A 


eo es 
A > : | 


ULES 


DENTRAYGUES > 


“eathe 
, 


‘Pupil of Pils 


ss Salon, 1896 tat : 
ALTAR BOYS AT PLAY Pepe: 


ACROSS THE SANDS 


x 


t 


COLLECTION OF LANDSCAPES 
BY 
ADRIEN SCHULZ 
OF PARIS 


Adrien Schulz is considered to-day one of the 
great landscape painters ; his works show many 
of the characteristic qualities of Diaz and Hano- 
teau, whose pupil he was, and are worthy to be 
compared with theirs 

They are proof of a direct and intimate study 
from nature and give an impression of freshness, 
of pure atmosphere 

Adrien Schulz, who exhibits in the Salon, is 
represented in many Art Museums of France, 
and in numerous private collections 

All the following landscapes are scenes in the 
Forest of Fontainebleau 


MS. 
1 A GLEAM THROUGH THE 

iy FOREST : 
<0 
12— RAIN AND SUNSHINE | 
Wes 
13— AFTER THE STORM Ue 
: 
fr] “ 
14__ ROAD THROUGH THE FOREST jo 
we OF FONTAINEBLEAU up 


15— AUTUMN DAY AT BARBIZON 


LUIS FALERO 


Paris 


Medal of Honor’Exposition Universelle, 1889 


His picture “Twin Stars” is in the Catherine 


Wolfe Collection in the Metropolitan Museum 
Pe EGYPTIAN DANCING GIRL 


From the Henry Hilton Collection 


NOES, 


=~ 


7th. Century, , | ! vy i 


ee 


| THE AMOROUS FISHERMAN Vi 


i O° 
\9 


JOHN W. JARVIS 


America 


Born at South Shields-on-the-Tyne, England, 
in 1780. Brought to Philadelphia by his father 
in 1785. Portrait painter, chiefly self-taught ; 
one of the earliest of American painters to attend 
to the study of Anatomy. Painted in New York 
and the chief Southern cities, where his portraits 


were very popular 


PORTRAIT OF 
DANIEL D. TOMPKINS 


20— 


Ds 


LUIGI CRESPI 


1709-1779 


He was a writer on art as well as a painter, 
and depicts himself seated on a sofa surrounded 
by his books, his left hand holding his palette 


and his right handa pencil. In carved wood frame 
21— PORTRAIT OF HIMSELF 


Painted in 1771 


4 rata ’ 
t rs H waaf hee tthe 


JUSTUS SUSTERMANS 


Antwerp | d 


PORTRAIT OF A GENTLEMAN — 


rsa 


es, 


PB LOrence 


er, ¥ i. r ; 


__ PRINCESS OF THE MEDICI 
eh) BR AMILY: 


ils 
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‘Holland | 


Gy One 1633-1702 eer 


ant PORTRAIT OF A MAN IN 
Peeay TRENTO eats " 


an ‘a 


‘FRANCESCO TACCONI 


ee Nenice - 


1434-1490 


Died at Haarlem in 1697 


26— = PORTRAIT OF A DIVINE 


RTIUS GELDORP 


n in Louvain, 1553; died at Cologne, 1616 ; oy 


ps Oe | 


| PORTRAIT OF A NOBLEMAN” 


/ TENIERS 
ot (DAVID, THE YOUNGER) 


Holland 


David Teniers, the Younger, was born at Ant- 
werp in 1610. He was taught painting by his 
father, and by Adrian Brouwer. He was appoint- 
ed Court Painter and Chamberlainto the Archduke 
Leopold William, Governor of the Spanish Nether- 
lands. His works was eagerly sought after, and 
their merits were highly appreciated. He died 
at Brussels in 1649, and was buried at Perth 


23— ‘THE ALCHEMIST 


Bee TIER i 


JEAN FRANCOIS DET aC 


: oat Y Parise. < ee 


167971752. 4g 9 : 


~~ 80— ~—s NICHOLAS DE 'CATINAGES 


; aba ad : ay i 
Marechal de France © 


'y , hi 


"LANDSCAPE 


THE CHILDREN OF COUNT ——t#*~”w 


77? SPENCER 


Bored 
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Pr 
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fr 
ta 
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} 


BALDASSARE FRANCHESHINI 


Italy 


1621-1689 


PORTRAIT OF 
JOHN VINCENT DONI 


o4— 


(Knight of Malta) 


1763-1804 


oe Royal Academy, 1779 


- 36— PORTRAIT OF A DOGE 


ESSANDRO TIARINI > 


Born at Bologne, 1577; died, 1668 


PORTRAIT OF AN ITALIAN > 
-- NOBLEMAN’ : 


ADRIAEN VAN OSTADE 


h 
\s 


a ih 1610-1685 ‘ a 


38 AN INTERIOR | 


ANTOINE VESTIER 


Born at Avallon in 1740; a ‘member of the 
Academy in 1786; anexcellent colorist. He died, 
1824, in Paris 


54 a PORTRAIT OF A LADY 


GABRIEL METSU 


ST a 


: 1630-1667 rac 


; * 2 


H ; Pr ; SH to hal 
; 
u ‘ 
be $ 
A Wisk 
: 
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j 
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{ 
+ 
2 
s + 
: 
bi 
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: : f 


JEAN BAPTISTE VAN LOO 
Paris 
1684-1745 


In 1737 he was the most popular painter in 
London. Member of the Academy of /'Paris, 1740 


PORTRAIT OF A NOBLEMAN 
IN ARMOR 


41— 


) tee 


As 


175341830 a 


H) AQ? SP ADV BECHER! aan 


* 


Collection of Colonel Clinton 


he 


‘i 


ae 
2 
re 


2 GODFREY KNELLER 
aes 


7 


ee 3 i k * 


PORTRAIT OF A LADY 


e 2 
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eu 
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a ‘PIERRE MIGNARD | : 


* Paris 


| 1610-1695 a 


- JOHN CHURCHILL 


. 


x 


(Duke of Marlborough) — i 


| : af 


art 


¥ 


RY RAEBURN, R. A. 


a % 


pe ae 1756-1823 _ 


i 


. 


PORTRAIT OF A LADY 


{1s 


Haarlem’ )viaat 


DAUGHTER OF ADMIR AL oe 
KORTNOERT. Sak 


46— 


4 4 # 44) ioe 


“a 769-1821 he 


LANDSCAPE 


LAN aa Eeee le ada ene) 


=RTE LEDOUX 


‘PORTRAIT OF A YOUNG GIRL 


Tea R 


1 BRUNI 


“Paris: ae 


» & Ke 
wat 


50— THE MUSICIAN _ 


Ea BEAUDUIN = 


‘ 


Honorable mention Paris Salon 


e)) QUIETUDE ED ee 


: 
ft ) yf Sed 


Medal Paris Salon 1888 | ‘ ‘ ¥ ‘ 


Pye 


52— | LANDSCAPE 


(Church at Moret) aS 0 sr 


3 UT Bh 


FREDERIC EDE 


Born in Canada, lives in France near Fon- 
tainebleau; member of the Artists’ Association 
of Montigny and the Art Club of Marlotte 

Ede’s enormous success is due to his same 
characteristic qualities of Cazin, Mauve and 
Thaulow, a direct and intimate study from 
nature, a great variety of colors and effects, the 
most exquisite delicacy of tones and the impres- 
sion of pure atmosphere 


” 


fr 


BLOSSOMS HANGING OVER | ev? 


o3— THE RIVER, 


54 RIVER LOING NEAR MORET | 


we 


p19, 

nO FIELDS NEAR AVALLON G4 
116; 

56— L'YONNE AT MORET (6 


} ’) 
57T— A FARM AT LA BONNEVILLE Js 


ANTONIO TORRES _ 


SUN a arr S alee Pees 


; 
t & 
§ 
d 
* 's 
f r 
: s 
L 
yw 
tn . 
wh 
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H y 4 t 


; Parts oo a ee 


Medals Paris Salon, 1880, 1881, 1889 : aR 


A4 


Legion of Honor, 1892 | ; x ce, y Ae 


MILKING HOUR 


| 


One of ‘the most po 


pular painters in{Paris 


STUDY OF A HEAD ay 


ee 
— 


JULES BRETON 


Paris 
Medals Paris Salon, 1855, 1857, 1859, 1861, 1867 
Legion of Honor, 1861 


Officer, 1867 


62— THE GLEANER 
Pastel 


(Salon of 1897) 


s r 4 


STUDY OF A HEAD! 


a ai 


Seed 


ee ee 


‘HENRI HARPIGNIES _ 


Paris 


Medals Paris Salon, 1866, 1868, 1869, 1878 


Lesion of Honor, 1875 ; ee Cee 


* i 


IDEAL HEAD 


Sl 


irae 


+s 


EUGENE JETTEL 


4 


a 66— SUNRISE IN HOLLAND 


sa <9) 


From the Hanford Collection 


5 sf ‘ 
aa 
v 
\ ; 
‘ 
Ly 
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f ‘ 
b 
x 


IN HANSON WALKER 


Raine | ve 


i 
ta 
Y ; NY 
ff rt fh y 
rd yw 
( 1. V 
q & Rey 
fh ae 3 
Sh ¢ * a 
Pos t i ay « ; 
af, \ "wr 
5, F { 
kt : 
\ 


LEON COMERRE 


Paris 


Medals Paris Salon, 1875, 1881 
Prix de Rome, 1875 


Legion of Honor, 1885 


68— ORIENTAL BEAUTY 


ROSA BONHEUR 


Paris 
1822-1894 
Medals Paris Salon, 1845, 1848, 1855 
Legion of Honor, 1865 


Officer, 1894 


69— SHEEP 


From the Rosa Bonheur Sale 


i \ he” 
‘ i yn \ 
a Os a : 
( ) \D ® nh? 


VACSLAV VAN BROZIK 


Born in Bohemia, 1852. Died in Paris, 1901 
Medal Paris Salon, 1878 
Legion of Honor, 1884 
Officer of Legion of Honor, 1890 


Director General of the Musee of Buda-Pesth 


Director Academy of Fine Arts, at Prague 


yAQ hs MEDITATION 


The following eleven numbers are the property 
of the Misses de Peyster 


CHARLES T. DIX 
America 
1838-1872 


Landscape and marine painter ; served in the 
Civil War on the staff of his father, General John 
A. Dix, and at its close went to study in Rome, 


where he remained until his decease 


vipa ROCK OF GIBRALTAR 


DELESSARD—t™ 


_ France | : 


A. BROUWER 


Holland 
1605-1638 


Flemish school; genre painter and one of the 
great masters in this line; influenced by Pieter 
Brueghel the elder, and by Rubens. He was 
registered in the Antwerp Guild between Septem- 
ber 18, 1631, and September, 1632 


yg: tas INTERIOR 


BROUWER 


INTERIOR 


PHILIPS WOUVERMANS 
Holland 
1619-1668 


Landscape, genre and animal painter, first in- 
structed by his father, Pauwels Joosten, then 


pupil of Jan Wynants, whose influence is trace- 
able in his backgrounds 


T6— 


HORSE AND RIDER 


ge 
L 9) 


SALVATOR ROSA 
Italy 
1615-1673 


Pupil of his uncle, Paolo Greco, and his brother- 
in-law, Francesco Fracanzano. When about 
eighteen years old he made a sketching tour 
through the Abruzzi, and is said to have learned 
from banditti of that wild region many incidents 
which he afterwards painted 


Gy pee THE TEMPEST 


(Sepia Drawing) 


| England _ : ve | = 
GRAIN THRASHING ON aie he, 

* CAMPAGNA, 20 
. oes 3 * < si 


| | _ England 


_ LATIUM FROM THE ALBAN ve 
ee CLS) oe iis 
| Engraving 


H. CARMIENCKE 


America 
1810-1867 


Landscape painter and engraver. Pupil of 
Dahl, in Dresden, and from 1834 at the Copen- 
hagen Academy. Was Court painter to Chris- 
tian VIII. until after the German-Danish war of 
1848. Emigrated to New York in 1851 and be- 
came one of the founders of the Brooklyn 


Academy 


S0— LANDSCAPE 


_ America 


* 


Des, 1810-1867 
WATERFALL 


a 


¥ 
of 
: 
ba 
i? 
M] 
a 
fia 


r 
KARL DU JARDIN 

Holland 

1625-1678 
Landscape and animal painter. Pupil of 
Bercheni and, perhaps, of Paul Potter, whose 
style he adopted. Visited Rome early and 
there conceived a preference for Italian scenery. 
> On his return from Italy settled at The Hague, 


where, in 1656, he was one of the founders of the 


new Guild Pictura 


R23. LANDSCAPE WITH FIGURES 


> end 


a 
rae 

Sel ory 
ae 
mt ae pete 


SECOND NIGHT’S SALE 


IN THE 
GRAND BALL-ROOM 


OF THE 


WALDORF- ASTORIA 


eee 


FRIDAY, MARCH 13th 


AT 830 P. M. 


JAMES P. SILO, Auctioneer 
CATALOGUE 


LEO MALEMPRE 
Paris 


oO READY FOR THE BALL 


| | Pupil of Detaille 


M a ~ 
4 ser ¢ * 4 : : a 
sf | | P +; : + 


“ me i" 


An : Paris Salon, 1900 _ 


hoe \ ; a % 
. : . is 4 , ae Nv ae hale 


rs 84— BONAPARTE IN ITALY 


ra 
ha 
; A 
“ 


-. FLIRTING © 


‘ 
i 
{ 
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ris 


Par 


CAVALIER 


. 


9 


Medal Paris Salon, 1888 | 


« 


yi f ‘ ; Py : (hae ak at 
LANDSCAPE ee GA 
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iy 


Lxse~ 


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Paris tea 


¥ 


vo) BR STUDYSOR TA ines 


i 


f the x 


27) Papil of Pils) ee 


2 


Salon, 1896 aa 


RDUARD ZikR a 


Honorable mention Paris Salon 


PIERRE OUTIN 


"4 


Paris) 4 


FLIRTING _ ; : a 


COLLECTION OF LANDSCAPES 


BY 
ADRIEN SCHULZ 


OF PARIS 


Adrien Schulz is considered,to-day one of the 
great landscape painters; his works show many of 
the characteristic qualities of Diaz and Hanoteau, 
whose pupil he was, and are worthy to be com- 
pared with theirs 7 

They are proof of a direct and intimate study 
from nature and give an impression of freshness, 
of pure atmosphere 

Adrien Schulz, who exhibits in the Salon, is 
represented in many Art Museums of aes. 


and in numerous private collections a 
93— NEAR MARLOTIB, ¢ 74001 
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ee VALLEY OF FRANCHARD ‘ 
95— ON THE RIVER LOING C/ OD) | 


96— FOREST OF FONTAINEBLEAU 


i ie POOL IN THE FOREST 


OF. COMTE-CALIX) 


AR Sea ESE 


THE FIRST TEMPTATION ~ 


‘MONCHABLON | 


LA VALLEE DE CHATILLON, (7 tat 


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MARTIN KAVEL 


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1676-1752 


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Bologna” 


. 1560-1609 
DESCENT FROM THE CROSS i 
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MADAME D’EPINAY 


Granada 


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BORtRAID OF A'VOUNG (| 
NOBLEMAN © a ae 


PAUL POTTER 


' Holland 
1625-1654 


Animal and landscape painter, son and pupil 
of Pieter Potter. Family settled at Amsterdam 
in 1631,and in the following year he went to 
study painting at Haarlem under Jacobde Weth, 
the elder. His earliest known picture, in the 
Gallery at Gotha (1641), and his etching of 
Le Vacher (1643), show the precocity of his 
talent, which attracted notice at Delft, where he 
was made a member of the Guild of St. Luke, 
Aug. 6, 1646, and at The Hague, where he re- 
sided from 1649 to May, 1652 


108— LANDSCAPE AND CATTLE 


sae 


- al 
iol ae 


CARLE VAN LOO 
Born at Nice, 1705. Died at Paris, 1765 


Member of the Academy, Paris, 1735 
Director Royal Art School, Paris, 1749 


Director of the Academy, 1763 


102. PORTRAIT OF A SOLDIER 


i ne 


- va 
ae 


FRANCIS COTES, R. A. 


1726-1770 


Francis Cotes was a contemporary of Sir 
Joshua Reynolds, Gainsborough and Romney, 
and was a recognized rival of these masters in 
popularity. He was one of the original members 
of the Royal Academy at its establishment in 
1768 


110— ENGLISH CHILDREN 


DUPONT GAINSBOROUGH 
London 
1767-1797 
Nephew and pupil of Thomas Gainsborough 


111— PORTRAIT OF A YOUNG MAN 


ie 222.5 chiens we 


HYACINTHE RIGAUD” 


Paris ee 


“RO TORO-1745 aaa 


- 112— por TRAIT OF LOUIS XIV. 


ry 


bh: : | Antwerp 


- SIR GODFREY KNELLER | 


; 1646-1723 ‘ ed ae 


114—  porTRAIT OF A LADY ie 


ms 


he 


ONIO DEL RINCON 


Be) 37 Spain. 


_ Joseph Bonaparte, Archbishop Bailey of Balti- | iy 
| "more and Archbishop Hughes of New York. It 
7 is historically valuable as well as interesting 
| ( from an art standpoint | 


2 a 
aes 4 


PORTRAIT OF CARDINAL 
ae XIMINES 


JOHN CONSTABLE, R. A. 


Born at East Bergholdt, Suffolk, England, June 
11, 1776; died in London, March 30, 1837. He 
became a pupil of the Royal Academy in 1799. 
Later, he studied with Joseph Farrington and 
R. R. Reinagle. After painting portraits and his- 
torical pictures for some time, he turned to land- 
scape art as his real vocation and exhibited his 
first picture in 1802. He was elected Associate 
of the Royal Academy in 1819 and Royal Acade- 
mician in 1829. He found early recognition in 
France, where, among all British painters, he was 
the first whose works found high esteem. His 
influence had much to do with the evolution and 
growth of the ‘“ Barbizon School” of painting. 
When his ‘‘ Haywain” was shown in Paris, in 
1825, Constable was awarded by the king a gold 
medal as a tribute of the appreciation in which it 


was held nf se 
0,50. 


116— LANDSCAPE 


117— LANDSCAPE AND CATTLE 


HANS BALDUNG Wied 
1480-1540 


In the upper right-hand corner appears the 
date of the painting, ‘‘ Ao 1545,” the monogram 
of the painter, “ H. B.,” and the age of the indi- 
vidual, ‘“‘ Aetatis 52” 


118 — PORTRAIT OF A MAN 


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RAN 


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ss can ( ~ 
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119— poRTRAIT OF MARIA LOUIS 


x 


a inant 


Ree corres 


a 


A 


‘Holland ie Ses ia cin mC 


a 


‘PEACOCK AND POULTRY 


121— 


HYACINTHE RIG, 


74 


1659-1743 


, Fo 


PORTRAIT OF A LADY ae 


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” LAN 
a 


o# 0 > 


PeDRAL HEAD =” ete tela 


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Hors Honcours : ‘ | he ; 
Kua RECEPTION Pa a 


¥ ‘ a/ 
v/ 


JULIEN DUPRE 


Paris 


Born, Paris. Third class medal, 1880; second 
class medal, 1881. Chevalier Legion of Honor | 
L502 ounce 


125— COUNTRY SCENE 


FREDERIC EDE 


Born in Canada, lives in France near Fon- 
tainebleau; member of the Astists’ Association 
of Montigny and the Art Club of Marlotte 

Ede’s enormous success is due to his same 
characteristic qualities of Cazin, Mauve and 
Thaulow, a direct and intimate study from nature, 
a great variety of colors and effects, the most 
exquisite delicacy of tones and the impression of 
pure atmosphere 


oe 
Ri 


faite lice STREAM ACROSS 


126— THE FIELDS 
AO. 
127 THE OLD FARM ON THE | r 
ie RIVERSIDE 
c “) 
198 CANAL BOATS ON THE as 
ee RIVER LOING 
129 RIVER ARQUES NEAR / #“* 
ae ABBEVILLE 
Cis or 
FLOCK OF SHEEP ON THE jj, 
0. 


RIVERBANK 


m \ 


| JULES FREDER 


Paris Salon, 1875, 1881 


A ee Wahid Ie, lee th Tee DAA: 


ee Re, 
A a 
j 


Prix de Rome, 1875 


i SATE E Ades 


Ny i 6) 


iy Va Nn Re Age he a 


Legion of Honor, 1885 


PP THESSTESTA, 604) (005 


JEAN CHARLES CAZIN 
Paris 
Medal Paris Salon, 1880 
Legion of Honor, 1882 
Officer Legion of Honor, 1889 


Tos THE MILL 


EUGENE JETTEL 


Born in Vienna, Austria, 1850 


Died in Paris, France, 1901 
Pupil of Rousseau 


Chevalier of the Legion of Honor 


First-class Medal, Munich, 1891 


Pictures by Jettel are in the Metropolitan 
Museum, New York, and the Art Institute, 
Chicago 


FARM NEAR EPINAY, 
BARBIZON 


134— 


i Officer of the Legion of Honor, 1901 _ 


2 


RIVER ARQUES | 


EDUARD CHARLEMONT 


/ Born at Znaim, Moravia, 1848. Pupil of En- 
‘ gerth and Makart ; 


Medal, Salon, Paris, 1883 
Gold Medal Exposition Universelle, 1889 
Chevalier of the Legion of Honor, 1895 


137— A CUP OF TEA 


“0 th i ts ‘eee Loe, , é f hi r an ¥ 

MeeIbeAT HEAD. 4). eines 

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aha 


14 


"eos eee 


ss Me Medals Paris Salon, 1844, 1 Pe 


Legion of Honor, 18 sr is ey 


—189-ssumwer yn 


J. L. E. MEISSONIER 
Paris 
1815-1891 
Medals 1840, 1841, 1843, 1850 
Medals of Honor E. U., 1855, 1867, 1878 


Legion of Honor, 1846, Officer, 1856 


Commander, 1867, Grand Officer, 1872 


OHI WHITE HORSE: OF 
NAPOLEON I. 


140— 


From Meissonier’s Studio after his death 


ROSA BONHEUR 


Paris 


1822-1894 


Medals Paris Salon, 1845, 1848, 1855 
Legion of Honor, 1865 


Officer, 1894 


141— DEER 


From the Rosa Bonheur Sale 


E SCHREYER 


inkfort-on-the-Main - 


at 


fedals Paris Salon, 1846, 1865, 1866 


_ ARABIAN CAMP 


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CHARLES JAC 
CONQUEST 


’ Medals Patis Salon, 1861, 1863, 


+ 


ak Legion of Honor, 1867 


ap Pee 


les 


‘, 


A MOUNTAINOUS LANDSCAPE ———t«™” 


Bakes 


JOHN CONSTABLE, R. A. 


Born at East Bergholt, Suffolk, England, June 
11, 1776; died in London, March 4094337 9c 
became a pupil of the Royal Academy in 1799. 
Later, he studied with Joseph Farrington and R. 


R. Reinagle. After painting portraits and his-_ 


torical pictures for some time, he turned to land- 
scape artas his real vocation and exhibited his 
first picture in 1802. He waselected Associate 
of the Royal Academy in 1819 and Royal Acade- 
mician in 1829. He found early recognition in 
France, where, among all British painters, he was 
the first whose work found high esteem. His in- 
fluence had much to do with the evolution and 
growth of the ‘Barbizon School” of painting. 
When his ‘“‘ Haywain” was shown in Paris, in 1825, 
Constable was awarded by the King a gold medal 
as a tribute of the appreciation in which it was 


held 


145— <ST. MARY’S—COLCHESTEE 


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is (The teacher of Rembrandt) — : a 
_ 147— PREPARING FOR A BATTLE. 


nd 


y 


i Collection of Lady Bruce. itp nanos ft aye 


‘ 


aa ‘ha 
: 


iE TERY 


x ve ‘ 


PHILIPPE DE. 


(1602-1674. 


a 
oy 


“ARMAND DU PLESSIS — 


4 


‘ys 


a 


(Duc de Richelieu) 


ANTOINE VESTIER 


Born at Avallon in 1740; a member of the 
Academy in 1786; an excellent colorist 
He died, 1824, in Paris 


YOUNG GIRL WITH A 
Diep oS CAGE 


150— 


AN 


JACQUES LOUIS DA\ 


mt 


Paris | 


38 


x x1__ LOETITIA BONAPARTE AND 


3 HER SON NAPOLEON 


4 


_ MADONNA AND CHILD 


we MERRY WIVES. 


The following twelve numbers are the property 


of the Misses de Peyster 


fr 
Sane | aa 
JOSEPH VERNET 7 A 
France F. 


1712-1789 


Marine painter, son and pupil of Antoine 
Vernet, he became the first Marine painter in 
Europe and was patronized by many Courts, 
after an absence of twenty years he returned to 
Paris in 1753 and .became a member of the 
Academy the same year, and a Councillorin 1766 


154— MARINE 


CAROLUS DURAN, C. A. 
France 
Born 1837 


Genre and portrait painter; pupil of Souchon; 
went to Paris, where he won a prize and a pension 
founded by Wicar for his fellow-citizens of Lille, 
and went to Italy, afterwards to Spain. His 
work shows traces of the influence of both 
countries 


155— THE REJECTED LOVER 


156— 
157— 


158— 


159— 


160— 


161— 


162— 


DUVIEUX 
France 


Pupil of Ziem 


A SCENE IN THE DESERT  ' 


MADONNA AND CHILD /# 
(Italian School) 6 
¥ 


HEAD OF MAN 
(Dutch School) 
ST. AGNES | 
(Unknown) 


DIANA AFTER THE CHASE 
(Dutch School) 


“ANDROMEDA 
(Chapelle) 


- 
LANDSCAPE WITH FIGURES /.) 
(French School of 1700) 


HALS FRANS 
f Holland 
1584-1666 


Portrait and genre painter of great renown, 
Pupil of Karel van Mander. A most influential 
teacher and founder of a national style, and a 
portrait painter to be ranked with the greatest 


painters 


163— ADMIRAL VON TROMP 


VAN RYN REMBRANDT 


Holland 
Q), 
oe Z i 


1607-1669 


Having little taste for books, and a strong 
natural love of art, he was early apprenticed for 
three years to Jakob Isaac van Swanenburch, a 
second-rate painter, who had settled at Leyden 
in 1617, after his return from Italy. Then fol- 
lowed six months’ study with Pieter Lastman. 
Rembrandt's earliest signed works date from 
1627 


164— HEAD OF AN OLD MAN 


DOMENICHINO re 
' 


Bolognese School 
1581-1641 


Son of a shoemaker, pupil of Denis Calvaert, 
afterward of the Carracci, at the same time with 
Guidoand Albani, who became his intimate friend. 
After studying works of Carregio and Parmigiano 
at Parma and Modena, went to Rome and aided 
Annibale Carraci in the Farnese frescoes 


165— HEAD OF MONK 


Perel: 


- -1610- 1690 


hoe 


eck as | 5 


Flemish genre painter 


y r \ 


Pupil of his father. Held first 


_ SCENE IN HOLLAND 


UNGER TENIERS 


position as 4 ie i 


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Mtatsts' 


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